Saturday 10 December 2011

Essay Proposal

Essay title: ' Consumerism as a form on unconscious manipulation.'


Topics / content to write about:


Marxism


Branding


Retail Graphics


Capitalism 

Bourgeoisie, the commodity, proletariats
_ Control of the means of production in private hands
- Markete where labour power is bought and sold (inc humans - almost commodities)
- Production of commodities for sale 
- Use of money as a means of exchange
- Competition / meritocracy 
'Best suceed' etc 
Stature in society , to be at the top, its a competition


Base and superstructure

Base > Determines content and form of > super structure
> Superstructure > reflects form of legitimises> base
Educator > instrcuts (form of education)  Work > instructs (act although its normal, marxist reading into education)



Panopticism 

  • Conformity 
  • Being watched subconsciously makes you act in a certain way

Panopticism as a form of consumerist (behaviour?) manipulation.

Case study - Ikea, see short cuts, follow crowds (docile bodies?)

False consciousness
Idea of spectacle



Semiotics - Signs signify a meaning and cultural code, objects mean something more. The study of how things mean, not what things mean - Cultural code.To read culture in the same way we read language. Fashion is a cultural code. A 'punk like' attired man - a rebel subverting. Image of man in tie and suit - societys consensus - smart, status, business, societies view. Tie - purely symbolic - no function.



Commodity fetishism 
Fetisise commodities
Something that gets in the way of something else, used as a substitute
Trainers taking appearance of 'cool' , you being 'cool' mediated by trainers





Potential Bibliography: 


Research Williamson, J, Decoding advertisements
This will help me to gain a better understanding of how advertisements work in making people think a certain way, in creating an unconscious need and want for a product. It will outline the elements of design which do so. 


Freud - "The unconscious aggressive forces of human nature could be erupt in crowds"
This will give me some theories and case studies on human behaviour within a group and how factors can affect it. It will provide evidence for my essay title.


Commodity fetishism (marx, capital Vol.1)
The affect advertising has on us, and how we relate to products and we feel they represent something and us.


Material culture in the social world
Michael Foucault - Materialism and education 
Adorno - The cultural industry 


WHY THINGS IN BIB WILL HELP ME





Friday 9 December 2011

Essay Research - Readings





















Essay research

I decided to go through my lecture notes over the year, and find and specify information I could use directly in relation to my assay title of:


"Consumerism as a form of unconscious manipulation"



What is capitalism

Bourgeoisie, the commodity, proletariats

_ Control of the means of production in private hands
- Markete where labour lpower is bought and sold (inc humans - almost commodities)
- Production of commodities for sale 
- Use of money as a means of exchange
- Competition / meritocracy 
'Best suceed' etc 
Stature in society , to be at the top, its a competition

Marx concept of base / super structure

Base (economic)

Forces of production - Materials, tools, workers, skills, etc
Relations of production - Employer, class, master, slave etc

Superstructure

Social institutions - Legal, political, cultural (art , design, education) Can be traced back to issues of class, gender/racial politics, everything bears this stamp
Forms of consciousness - Ideology

"The history of all hitherto existing society is the history of class struggles."

Capitalism (the society were in) produced laws, culture, law, politics, education which reflects the capitalist attitude

Base > Determines content and form of > super structure
> Superstructure > reflects form of legitimises> base
Educator > instrcuts (form of education)  Work > instructs (act although its normal, marxist reading into education)


Super structure > Education, family, religion, mass media, politics > Base - Relations of production, means of production

Super structure - maintains and legitimates the base
Base - Shapes the structure

Reading - Marx, (1857) "contribution to the critique of political economy' :

In conclusion:
Society produces our life's, not us, the accident of our birth produces what were are going to be. Where we are in life we are forced into relations and situations, these relations which reflect the society we live in. the base determines the superstructure, which determines our consciousness ( to rebel, to take it as normal etc) our society condition everything, philosophy, interaction etc. Social being dtermines our consciousness. Change the base> change our attitudes, arts and culture. 

One can have an ideology, system of ideas and beliefs (e.g Christianity, conservatives) 
Ideology - The way in which a system of ideas masks, distorts a way of thinking about the world, which covers ove glass/gender/race discriminations. Legitimises over certain classes/races - false consciousness - exploited

Through buying, consuming we make ourselves poorer through buying, never gain status in society.

Commodity fetishism (marx, capital Vol.1)
Fetisise commodities
Something that gets in the way of something else, used as a substitute
Trainers taking appearance of 'cool' , you being 'cool' mediated by trainers

Adbusters & cultural jamming
'Buy nothing day' etc
techniques - do something to a piece of work / object to alter message. E.g - `billborad - used to give a message - Distort this - its still a strong message.
Look at youtube videos

Panopticism 
  • Conformity 
  • Being watched subconsciously makes you act in a certain way
Michel Foucault - Interested in the mechanism for discipline, Panopticon secluding people to be on their own, the way in which its a metaphor for the way society controls its citizens, an allergy of how we're controlled in our day to day lives. Panopticon symbolises our day to day lives. Figure for how we're controlled

With her book, 'Decoding advertisements', Judith Williamson explored and analyses what can be 'seen' in advertisements. Believing it's an "inevitable part of everyone’s lives…" stating that you don't even have to be 'directly involved in the media, it's all around us". That image within our urban surroundings are 'inescapable'. She states that advertisements have their own independent reality, becoming separate from the material medium, which carries it. She agrees that its main function is to sell things, but that it has another, to create structures of meaning. In order to sell us something advertisers make the properties of a product 'mean' and connote something to us.

"Advertising sets up connections between certain types of consumers and certain products."

Using signifiers and what is signified to create the connection. "Taking the sign for what it signifies, the thing for the feeling." (Williamson, J, 'Decoding advertisements', 1978).

"People are identified by what they consume rather than what they produce."

We are no longer an image of our skills but by our materials and commodities. She states we are made to believe we can rise or fall within society by what we can afford, and can't, obscuring actual class basis. Class difference has lost meaning. Apparently we can now purchase our place in society. As we feel a need to belong, the mass media provide this 'Place to belong' to an extent.

Within a consumerist society, we are impaled by constructed false needs

ADAM ARVIDSSON
'Branded consumer good are ubiquitous and have achieved a perhaps unprecended importance in the lives of some consumers groups."

"Companies give increasing importance to their brands as marketing tools"

"Brands thus represent the additional value of the informational content of commodities."

"this can be relations between the brand and it's distribution between the brand and it's customers and between the consumers themselves in terms of brand communities and the importance of brands for personal identity."


300 Word evaluation - an overview of her opinion towards advertising

With her book, 'Decoding advertisements', she explores and analyses what can be 'seen' in advertisements. Believing it's an "inevitable part of everyones lives..." stating that you don't even have to be 'directly involved in the media, it's all around us". That images within our urban surroundings are 'inescapable'.

Williamson states that advertisements have their own independent reality, becoming separate from the material medium which carries it. She agree's that the main function is to sell thing, but that it has another, to create structures of meaning. In order to sell us something advertisers make the properties of a product 'mean' and connote something to us.

She suggests that advertisements provide a structure, transforming the language of objects to that of people.
"Advertising sets up connections between certain types of consumers and certain products."
Using signifiers and what is signified to create the connection.
"Taking the sign for what it signifies, the thing for the feeling."

Williamson believes people and objects become interchangeable, advertising is selling more than just good, but by providing a structure, in which people and goods are interchangeable, are selling people, themselves.
"People are identified by what they consume rather than what they produce."
We are no longer an image of our skills but by our materials and commodities. She states we are made to believe we can rise or fall within society by what we can afford, and can't, obscuring actual class basis. Class difference has lost meaning. Apparently we can now purchase our place in society. As we feel a need to belong, the mass media provide this 'Place to belong' to an extent.

Overall Williamson sums up advertising as giving good a social meaning.

Reference - Williamson, J, 'Decoding Advertisements', 1978

SEMIOTICS
What is semiotics?
A science of studying signs - Something that gives a meaning in culture.
The study of how things mean, not what things mean - Cultural code.

To read culture in the same way we read language.

Fashion is a cultural code. A 'punk like' attired man - a rebel subverting. Image of man in tie and suit - societys consensus - smart, status, business, societies view. Tie - purely symbolic - no function.

Thursday 8 December 2011

Essay research: Looking at 'The century of the self'




THE CHANGE IN TIMES - BETWEEN 1920 AND PRESENT IN CONSUMERISM

Notes taken:

History of consumerism

The century of self

Those in power have used Freuds theory to control the crowd in a mass democracy

Bernas
Influence great as Freud was his uncle
First person to take frauds idea to manipulate masses
How american corporations make people want things they don't need to; unconcious desires
New political idea on how to control masses
inner selfish desire - satisfying, making people happy thus docile
All consuming self - dominates us today

'Happiness machines'

Freuds ideas used to be hated
The idea of being examined and tested in was embarrassing and to be a threat. People in society at the time were taught not to express emotion or inner feeling, so to be asked to do so was outrageous.
Self created empire would have fallen into pieces.

Phychoanalyis, looking at dreams
Feelings we repressed because they were dangerous

Dr Ernest Jones
An unconscious barrier we have, to letting the unconscious emerging

Edward Bernays 
America announced war on germany
employed to promote war aims to press
Was skillful in promoting idea internationally
To be a safer democracy
A hero of the masses
Bernays began to wonder, if it was possible to do the same kind of persuasion (propaganda) for peace
Publics relations officer
America mass industrial society
Bernays was determined to find way to manage and alter way the crowds thought and felt.

Manipulating unconscious
Pat jackson - public relations advisor

Information drives behaviour

what would play to peoples Irrational emotions


CASE STUDY
Freud set out to experiment with the minds of the popular classes; to pursued women to smoke. At the time, it was thought as taboo for women to do so. Cigarettes were seen to represent the penis, to be of power. If a women were to smoke, she would metaphorically have power. During a parade, several women hid cigarettes under their clothing, to be given a signal whilst in the parade. The group of women gave the idea to onlooking press that they were in fact suffragettes making a stand for freedom. An already prepared message, of more independence. The iconic reference of the statue of liberty a suitor as a woman holding a torch. Freud had made women smoking suitably acceptable through the use of this iconic figure. The idea that irrelevant objects, such as a cigarette, can be represented by how you are seen by others, was a new idea.

To sell it to your emotions, not just a purchase, engaging emotionally and personally in object. Emotionally connect to a product of service

Used to buy things for need, as necessities, promoted in functional terms this began to change.

Corporations wanted to get on ball, transform way people thought about products

Needs to desire culture, to be trained to want new things before old have even been consumed Mans desires must over shadow his needs.

EDWARD BERNES - Real person who brought forward physcholigcal theory of how we are going to appeal to the masses (corporances )
1920's
Mass consumer pursuation
Bernes glamorised advertisements
Practise of product placement in movies - Dresses starts in clothes and jewellery from other companies
Cars as male dominance
Fashion shows in fashion stores

1927 American journalist
" A change has come over our democracy, it is called consumptions. The american citizens first importance to its country is no longer citizen, but consumerism. "

Bernes - 'The mind of the crowd.'

Freud
"The unconscious aggressive forces of human nature could be erupt in crowds" (eg mobs)- he became a pessimist and sadistic 

Monday 5 December 2011

Essay proposal seminars


Ethics, globalisation and sustainability.

Things to look at:
- First Things First 1964 a manifesto
- First things first 2000 - A design manifesto
- The Authors: Nick Bell, Milton Glaser, Tibor Kalman. 

ESSAY IDEA
The meaning and context of a piece of work is dependant on it environment. Once taken from its original environments it can loose value and meaning.

- I need to find a specific case study
- Look at Duchamp
- Look at the movement of showing Graphic Design in Art galleries. Is it correct? Does it become art? Aesthetics terms applied to Graphic Design?
- Look at 'aura' of work

COMSUMERISM
AURA
ETHICS - Suddenly more money can be added to work
BRANDING - Brands have an existing aura, this will reflect on work if logo is placed on image
COMMODITY FETISHISM - Makes you forget the product you buy, is the outcome of someones labour.

POSSIBLY ESSAY PROPOSALS

Once a product is given or made 'green' its meaning and context suddenly changes its rebranded, can be placed in a new environment and can be sold as something else:
- Coffee shops, fair trade coffee
- 'Vintage' shops

The panoptics of consumerism / retail / graphics
Case study - Ikea
Foucault
Self regualtion
Docile bodies
Panopticism and retail environment
Close reading of retail space

Retail Graphics as manipulation 

Panopticism as a form of consumerist (behaviour?) manipulation.
Case study - Ikea, see short cuts, follow crowds (docile bodies?)
False consciousness
Idea of spectacle

Thursday 1 December 2011

Lecture 6 - Cities and Film

Modernism
Urban sociology 
City as public and private space
Post modernism
Relation of the individual  to the crowd in the city


georh Simmel 1858 - 1918


German sociologist 
Writes metrolpolis 


Dresden exhibition 1903
Write about effects of city on individual 
'Lonely metropoliton' Optimises idea of individual surrounded by people, yet alone


urban sociology
Lewis Hine 1932
The resistance of the individual to being levelled swallowed up in the social technological mechanism


Georg Simmel the metropolis and mental life 1903
Idea of city engulfing human figure
Being independent but dependant on physical and manual labour city offers


Architect Louis sullivan 1856 - 1924
Creater of the modern skyscraper
Form follows functions
An influential architect and critic of the Chicago school
Mentor to frank Lloyd


Guaranty building was built in 1894 by Adler and Sullivan 
Influenced by arts and crafts movement


Carson pririe acott store in Chigago
Skyscraper represent the upwardly mobuile city of business opportunties
Fire cleared building in Chigago on 1871


Manhatta 1921 Paul Strand and Chalres Scheeler - video
America build on immigration 
Figures walking past wall street
65 shots in a loose non narrative structure
Views of city in an abstract composition


Charles scheeler
Ford motor companys plant at river rouge, detroit 1927
Commissioned to take photographs


Forism: Mechanised labour relations
Coined by antonio gramsci in his essay "americanism and fordism"
"The eponymous manufacturing system designing to spew out standardised, low cost good and afford its workers decent enough wages to buy them"
De Grazia 2005
Self perpertuing cycle, labour also consumer, objects being made are affordable motors


Charlie chapmen - Modern times 1936
A factory worker in a line, Suffers a mental breakdown, running amock, accusation of being a communist 
Body being consumed by factory environment - his boss is trapped in machinery


Stock market crash of 1929
Factories close and unemployment goes up dramatically
leads to "the great depression"
Margaret Bourke-White


Man with a movie camera - 1929 - Silent documentary film
Explores idea and role of camera within city
Cynanamatic techniques invented within film, track shots, zooms etc
To create a futuristic city
Celebration of industrialisation


Falneur
The tem Falneur comes from the french masculin noun which has the basic meanings of stroller, lounger, loafter - which itself comes from the french


Charles Baudelaire
A person who walks the city in order to experience it
Art should capture this
Simultaneously apart from and part of the crowd
Flaneur is this character who on watches, has no place to go, to just observe people actions and interactions


Walter benjamin
Aport tool in his own writing, lives this life himself
Arcades project 1927 - 40, Benjamins final incomplete book about Parisian city life in the 19th century


Photographer as flaneur
the ohotgrapher i sthe armed version of the solitary walker, reconnoitring, stalking crusing the urban inferno the vvoyeuristic stroller who discovers the landscape


Flaneuse
Women and the literature of modernity
Janet wolff
The literatrure of modernity describing fleeting eponymous ephemeral encounters of life in the metropolis maninly accounts for the experiences of men. It ignores the concomitant separation of pulic and private spheres from the mid-nineteenth century and the increasing segregation


Susan Buck-Morss
The dialectics of seeing: Walter benjamin and the arcades
Women when seen on there own are seen as a threat, a bad woman, a prostitute


ARBUS / HOPPER
Woman at counter smoking NYC 1962
Automat 1927


Sophie calle suite venitienne 1980
Follows subject
Stalks to get photographs, almost creates a relationship
The act of follows creates an obsessive reflection`


Venice
City as a labrinth of streets and alleyways in which you can get lost but at the same time will always end up where you began
'Dont look now' 1973 Nicholas Roeg


The detective 1980
Wants to provide photographic evidence of her existence
His photos and notes on her are displayed next to her photos and notes about him, set in paris.
Hires a private photographer to follow her
'I wanted to take him to places which I love' - ultimately controlled by her, although not contracting surveillance 
Idea of truth, what is true in photographic evidence


Cindy Sherman untitled film stills 1977-80
Women almost lost and trapped by city
Film Noir
Sky scrapers behind characters in images


Weehee (arthur felig)
City a place of threat
Followed around emergency services and documenting activity
Pursues incident similar to police
Instantaneous reporting 


The naked city
1945 + 1948
Follows murder of a young model


LA noire 2011
The first video hame to be shown at the tribecca film festival
Incorporates 'motionscan' where arcors are recorded by 32 surrounding cameras to capture facial expression from every angle. The technology is central to the games interrogation mechanic as players must use the suspects reactions to questioning to judge whether they are lying or not.


Cities of the future / past Fritz lang metropolis 1929
Ridley scott bladerunner 1982/2019


Lorca di corcia heads 2001 NY
Sets up trip effect for flash lighting, if a subject walks into the area, he can choose to activate flash
Detached observer
Not seen by people he photographs
Filmic style of portraiture
Idea of surveillance
Give a sense of high and drama, unintended poses and facial expression 


Walker evans - Many are called 1938
made with use of hidden camera on subway
Moments of private interior moments in public space


Post modern city
Ed Soja - The post modern city
Outside becoming inside, inside becoming outside e.g Shell elevators 
Getting lost in architecture


Postmodern city in photography: Joel meyerowitz
Broad way and west 46th street NY 1976
PM City almost reflects mental state 


9/11 citizen journalism : The end of the flaneur?
Adam Bezer 2001
Liz wells says that phrases is first seen in an article by Stuart Allen online. She discuses the 7/7 bombings in London and the immediacy of the mobile phones images which recorded the event as commuters travel to work. These images were online within an hour of the event.
This replaced traditional idea of reporters, to record event in a professional manner. we get a different aethetic. Returns photography to its original use. A piece of evidence. No longer have seperation of city, subject and experience. It all comes together.


Survellience city
"Since the attack on the twin towers of the world trade centre in 2001, and the ensuing war on terrorism there has been an enormous ramping up of investment in machine reading technologies.